I am my mother’s daughter. When I was in my early twenties, when I first began to develop a will of my own, when I first discovered the thrill of rebellion and quietly thumbed my nose at my mother’s religiosity and what I then saw as her prudery, and began to favour the company of men – what I have called my ‘promiscuous’ years – my mother took to writing me letters.
My mother writes letters still even though we live less than twenty kilometers apart. She writes to all her children as a means of stating her case.
My mother's letters to me are ‘psychological sandwiches’. They begin with protests of her love for me. The middle carries the sting. What do you think you are doing? Who do you think you are? Behaving so loosely with men. Where are your morals?
Then she might end the letter with a short vignette: her memory of me as a little girl in a yellow jumper and tartan skirt, after she had come home from hospital with my new baby sister, when I was less than two years old and had been left in the care of my godparents, the Kaandorps, for over a week.
In her letter my mother remembers me then as the little girl who threw herself into her mother’s arms and wept for the sheer joy of being together again. If only, my mother writes, if only she could give to me now the things I needed then. It is as if she wishes that I had never grown up, that I had never entered into the world of adulthood, of conflict and of challenge. If only I had stayed little, then our bond might be secure.
I have been reading Nancy Miller’s Bequest and Betrayal:memoirs of a parent's death, a book about adult children who write about their parents after death. Are these memoirs eulogies, songs of praise for parents now gone, or are they betrayals of parental secrets?
I suspect I could not write about my father as I do now were he not dead. Now he is dead, I am safe.
Will the way I write about my mother change after her death? My mother in my mind has undergone so many metamorphoses, from the woman I adored as a small child to the woman I became scornful of, though not in adolescence, even in adolescence I felt protective of her and needy, to the frail old woman she has finally become, of whom I feel protective in a different way. It took a long time before I dared to feel critical of my mother in any way.
It was later in my life, in my twenties and thirties when I had embarked on my analysis, only then did my image of my mother start to crack. Only then did I come to feel critical of her, for her religious intolerance, her manipulative tendencies, and her tendency to pretend that all is well when it is not.
I have my mother’s name, all three names, Elisabeth Margaretha Maria. It is a Dutch tradition to name the second daughter after the mother, and the first daughter after the mother’s mother, a tradition that again alerts us to the significance of mothers in a woman’s life.
I did not name my first daughter after my mother or any of my daughters directly after me, but my husband insisted and I agreed to the idea that they should all have my name as a second name. Equality you might say. Their first names however belong entirely to them.
Even now I can imagine my daughters writing in the future about what it means to them to each share their mother’s name between their first and last names.
In my family of origin, we each bear the name Maria, another tradition, religious this time, a means of asking the Blessed Virgin Mary to look over us all. All except the oldest, who again according to Dutch tradition was given his father’s name in its entirety.
When we were little we laughed at the fact that even the boys carried the name Maria in their collection of personal names, Simon Peter Maria, Franciscus Wiro Maria, Michael George Maria and Gregory Paul Maria. Such odd names they seemed to us growing up in Australia in the fifties and sixties when most people’s names were Celtic and Anglo Saxon with the odd immigrant name from the Mediterranean or Europe thrown in for good measure.
Names matter, they are identifying features, they become part of our sense of ourselves and of our identity.
In the days when I fancied I might write a book in which I had hoped each of my siblings might contribute a chapter, I also imagined a paragraph on each of us, suggesting parallels between our first given name and the way in which our name reflects our personalities.
As usual I am running off into too many ideas, too many ideas to follow. One leads into the other and the track becomes unwieldy. It is difficult to back track to where we have come from. Sorry.
Showing posts with label letters. Show all posts
Showing posts with label letters. Show all posts
Saturday, January 22, 2011
Sunday, December 06, 2009
Numerology: Births Deaths and Marriages
I have always preferred even numbers to odd. This makes life difficult, this superstition, because half of our lives operate under the weight of odd numbers. Every second day is an odd day so it is not right to focus too much on this anomaly but I find whenever a number pops up for any reason whatsoever I first of all judge it by its odd or even nature.
My favourite number is two, preferably double two. Two hundred and twenty two is not so good because it is an uneven number of twos and two thousand two hundred and twenty two is too much altogether.
My analyst once suggested to me when I reported my love of the number two, that I chose this number because it is the number of coupledom, mother and baby, just the two of us. It’s an interesting observation. I had thought it might have more to do with the shape of the number, very much like the letter ‘s’ and also that the first house whose address I was able to learn as a child was that of 2 Wentworth Avenue where we then lived.
My address became a vital part of my internal world. I would explore its details regularly and roll the words over my tongue: Number 2 Wentworth Avenue Canterbury, East 7, Melbourne, Victoria Australia, the Pacific Ocean, the world, the universe.
Similarly I played with the multiple dimensions of time, the time of the day, the time of the day in relation to the time of my birth, the hours I had lived, the hours I might continue to live. But I was never good at sums. I failed mental arithmetic in grade six, much to my teacher, Mother Mary John’s expressed horror,
'I knew you were bad, but not that bad.' So I did not linger long over numbers except visually.
Numbers developed personalities in my mind and I had my favourites. I hated the numbers seven and nine and could only just tolerate the fives.
I loved the letter ‘s’, smooth, round and to my mind shiny. It was also the letter that distinguished my first name Elisabeth from all the other Elizabeth’s I encountered in my life, the ones at school who sported an ugly ‘z’ in the middle of their names. S was definitely the more beautiful and friendly letter, as well it was the first letter of my second name, ES.
I did not go in so much for the harsh letters of ‘H’ and ‘E’ especially in their capitalised forms, though in lower case ‘e’ could pass, ‘e’ for egg. Even now to me ‘e’ looks like an egg. But the letter ‘h’ could not redeem itself so readily, nor ‘f ‘even with the rounded dome of the top of their shape in lower case.
I am back to letters I see. It is easy to slip by numbers. My relationship to numbers was never so good. Numbers always frightened me. Multiplication, addition, subtraction and division.
My parents were always doing it. Adding babies and sometimes losing them. For the first ten years of my life, my mother was either pregnant or carrying a newborn.
‘What a woman,’ people said, ‘nine children.’ I soaked up the compliments as if they were directed at me.
There should have been eleven but two died, the first, my mother’s second daughter at five months, the second her last child, another daughter this time still born. There was a miscarriage as well, between the seventh and the eighth. In the end my mother was left with five sons and four daughters.
Some weeks after the death of her last leven los, my mother stood with me in the front garden of our house in Camberwell talking to a neighbour who was muttering condolences for her recent loss.
‘It must be very hard but you do have your other children to comfort you.’
My mother nodded and sniffled onto the back of her hand.
Mrs Bos had no children of her own. At ten years of age I was puzzled that any married couple could remain childless. My mother and I watched Mrs Bos, retreating up the street, click-clack on her stilettos, a string shopping bag bulging at her side.
‘Poor Mrs Bos’, my mother said, wiping her nose again on her hand, ‘she can never have children of her own.’
My mother offered no explanation and I was left bewildered about this sad Dutch woman who lived at the top of our street, barren and empty, unable to add, divide or even subtract.
My favourite number is two, preferably double two. Two hundred and twenty two is not so good because it is an uneven number of twos and two thousand two hundred and twenty two is too much altogether.
My analyst once suggested to me when I reported my love of the number two, that I chose this number because it is the number of coupledom, mother and baby, just the two of us. It’s an interesting observation. I had thought it might have more to do with the shape of the number, very much like the letter ‘s’ and also that the first house whose address I was able to learn as a child was that of 2 Wentworth Avenue where we then lived.
My address became a vital part of my internal world. I would explore its details regularly and roll the words over my tongue: Number 2 Wentworth Avenue Canterbury, East 7, Melbourne, Victoria Australia, the Pacific Ocean, the world, the universe.
Similarly I played with the multiple dimensions of time, the time of the day, the time of the day in relation to the time of my birth, the hours I had lived, the hours I might continue to live. But I was never good at sums. I failed mental arithmetic in grade six, much to my teacher, Mother Mary John’s expressed horror,
'I knew you were bad, but not that bad.' So I did not linger long over numbers except visually.
Numbers developed personalities in my mind and I had my favourites. I hated the numbers seven and nine and could only just tolerate the fives.
I loved the letter ‘s’, smooth, round and to my mind shiny. It was also the letter that distinguished my first name Elisabeth from all the other Elizabeth’s I encountered in my life, the ones at school who sported an ugly ‘z’ in the middle of their names. S was definitely the more beautiful and friendly letter, as well it was the first letter of my second name, ES.
I did not go in so much for the harsh letters of ‘H’ and ‘E’ especially in their capitalised forms, though in lower case ‘e’ could pass, ‘e’ for egg. Even now to me ‘e’ looks like an egg. But the letter ‘h’ could not redeem itself so readily, nor ‘f ‘even with the rounded dome of the top of their shape in lower case.
I am back to letters I see. It is easy to slip by numbers. My relationship to numbers was never so good. Numbers always frightened me. Multiplication, addition, subtraction and division.
My parents were always doing it. Adding babies and sometimes losing them. For the first ten years of my life, my mother was either pregnant or carrying a newborn.
‘What a woman,’ people said, ‘nine children.’ I soaked up the compliments as if they were directed at me.
There should have been eleven but two died, the first, my mother’s second daughter at five months, the second her last child, another daughter this time still born. There was a miscarriage as well, between the seventh and the eighth. In the end my mother was left with five sons and four daughters.
Some weeks after the death of her last leven los, my mother stood with me in the front garden of our house in Camberwell talking to a neighbour who was muttering condolences for her recent loss.
‘It must be very hard but you do have your other children to comfort you.’
My mother nodded and sniffled onto the back of her hand.
Mrs Bos had no children of her own. At ten years of age I was puzzled that any married couple could remain childless. My mother and I watched Mrs Bos, retreating up the street, click-clack on her stilettos, a string shopping bag bulging at her side.
‘Poor Mrs Bos’, my mother said, wiping her nose again on her hand, ‘she can never have children of her own.’
My mother offered no explanation and I was left bewildered about this sad Dutch woman who lived at the top of our street, barren and empty, unable to add, divide or even subtract.
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