Tomorrow I leave for the Blue Mountains. For five days solid I hope to write. I hope to lose myself so deeply in my writing that for this short time I will transcend the usual humdrum of my daily writing and get to somewhere I have not been before, ‘wheeled and soared and swung through footless halls air’. These words come to me from a poem I met as a child , ‘High Flying’ by Walter Magee. It begins, ‘Oh I have slipped the surly bonds of earth and danced the skies on laughter silvered wings, Sunwards I’ve climbed and chased the sunless mirth of sun split clouds and done a thousand things you have not dreamed of, wheeled and soared and swung my eager craft through footless falls of air...
and while with silent trembling heart, I've trod...put out my hand and touched the face of God’. (I have muddled these words. If I were a worthy soul I would Google them for you and correct them, but it's late and I must be away early, so if you are interested, you will need to search for yourself, or accept them as they are here, a muddle from my memory.)
I have started to pack, at least in my mind. It’s an easy thing to pack for one. After all the years when the girls were little and I needed to pack for them as well. I need also to put out five shirts for Bill who is colour blind and cannot select his own shirts and ties without disastrous consequences, at least he will worry that the consequences will be disastrous. He lacks confidence in his own taste, at least in colour. For the rest he is artistic, with excellent sense of shape and texture. Sometimes he gets to work in non-matching socks.
Tomorrow morning I will get up at 4 am and leave the house fifteen minutes later. I will drive my own car and leave it in long-term car parking to the airport. The cost of a weeks parking is the equivalent of one taxi fare, so I save money this way. Although I have discussed the matter of my getting to the airport with various members of my family and all express the wish to drive me to the airport, it seems to me, it’s too ridiculous a time, Monday morning at 4.15 am to inflict on any of them. Therefore I should be the only one inconvenienced by this trip – I should drive myself there and back seven days later.
I am a nervous traveler. Whenever I rehearse the experience in my mind I panic a little. I can see myself getting lost, or misreading signs and missing my plane or in this instance my train, first from Sydney airport where I will arrive at 7.00am during peak hour and then on to Central station. From Central station I need to make a three-hour train trip to Katoomba in the Blue Mountains. I look forward to this leg of the journey. Three hours on a rocking train, three hours where I will still be on land but moving swiftly through space, three hours during which I can doze, read, or look out through the window at a new landscape.
I feel the need to write a brief farewell blog, a farewell for one week only. A bit like the dinner my husband wants to share tonight to mark my absence for a week. Not too special a dinner – I’m not going away for long – but to mark the occasion nevertheless.
We mark absences and returns in our household with fervour. No one can sneak away unnoticed, not like one of my brothers did on his eighteenth birthday many years ago, or Maggie May’s sister. She writes about this in a blog that eats at you with its poignancy. No, we mark our farewells and hellos.
It’s worse when I go because I am the ‘mother’, and mothers, not always but perhaps more often than not, are the mid point of the wheel around which all the spokes circle.
I wear the weight of my responsibility seriously and I am troubled at this end by my planned absence.
Someone needs to worry incessantly about the dog, as there will be a man here to help install a new gate and the gate will inevitably be left ajar from time to time. Someone will need to keep the dog in mind for the times when the gate man is here. The under pinners are also coming on Monday to help us to rectify the enormous cracks that have erupted in the front walls of our house.
They will work outside but one day at least my husband will need to take time off work to watch as they hoist the house up on jacks before they pour concrete into the huge holes they will have dug beneath the perimeter of the house to force it back in place. Hopefully this will help to rejoin the cracks.
I can put five shirts and ties for my colour blind husband in advance, one for each working day of the week I am away. I can make sure there is enough milk in the fridge to last the week and enough toilet paper. For the rest, my children, the ones living at home are old enough by far to look after themselves, as is my husband. Still I worry about them.
I worry about all the little things that they can take for granted, though taking people for granted is a dangerous pastime and one none of us should ever indulge in for too long, myself included. When we take others for granted, as Art Durkee has written elsewhere in relation to the business of expectation, we will inevitably trip up, not to mention the pain we cause the other person who is taken for granted.
So my absence shall be a good thing, painful for those at home to some extent only. The days will pass quickly enough and apart from my youngest who needs me more for transport and a general holding in mind function, the others will do just fine. And so will I.
Sunday, December 13, 2009
Sunday, December 06, 2009
Numerology: Births Deaths and Marriages
I have always preferred even numbers to odd. This makes life difficult, this superstition, because half of our lives operate under the weight of odd numbers. Every second day is an odd day so it is not right to focus too much on this anomaly but I find whenever a number pops up for any reason whatsoever I first of all judge it by its odd or even nature.
My favourite number is two, preferably double two. Two hundred and twenty two is not so good because it is an uneven number of twos and two thousand two hundred and twenty two is too much altogether.
My analyst once suggested to me when I reported my love of the number two, that I chose this number because it is the number of coupledom, mother and baby, just the two of us. It’s an interesting observation. I had thought it might have more to do with the shape of the number, very much like the letter ‘s’ and also that the first house whose address I was able to learn as a child was that of 2 Wentworth Avenue where we then lived.
My address became a vital part of my internal world. I would explore its details regularly and roll the words over my tongue: Number 2 Wentworth Avenue Canterbury, East 7, Melbourne, Victoria Australia, the Pacific Ocean, the world, the universe.
Similarly I played with the multiple dimensions of time, the time of the day, the time of the day in relation to the time of my birth, the hours I had lived, the hours I might continue to live. But I was never good at sums. I failed mental arithmetic in grade six, much to my teacher, Mother Mary John’s expressed horror,
'I knew you were bad, but not that bad.' So I did not linger long over numbers except visually.
Numbers developed personalities in my mind and I had my favourites. I hated the numbers seven and nine and could only just tolerate the fives.
I loved the letter ‘s’, smooth, round and to my mind shiny. It was also the letter that distinguished my first name Elisabeth from all the other Elizabeth’s I encountered in my life, the ones at school who sported an ugly ‘z’ in the middle of their names. S was definitely the more beautiful and friendly letter, as well it was the first letter of my second name, ES.
I did not go in so much for the harsh letters of ‘H’ and ‘E’ especially in their capitalised forms, though in lower case ‘e’ could pass, ‘e’ for egg. Even now to me ‘e’ looks like an egg. But the letter ‘h’ could not redeem itself so readily, nor ‘f ‘even with the rounded dome of the top of their shape in lower case.
I am back to letters I see. It is easy to slip by numbers. My relationship to numbers was never so good. Numbers always frightened me. Multiplication, addition, subtraction and division.
My parents were always doing it. Adding babies and sometimes losing them. For the first ten years of my life, my mother was either pregnant or carrying a newborn.
‘What a woman,’ people said, ‘nine children.’ I soaked up the compliments as if they were directed at me.
There should have been eleven but two died, the first, my mother’s second daughter at five months, the second her last child, another daughter this time still born. There was a miscarriage as well, between the seventh and the eighth. In the end my mother was left with five sons and four daughters.
Some weeks after the death of her last leven los, my mother stood with me in the front garden of our house in Camberwell talking to a neighbour who was muttering condolences for her recent loss.
‘It must be very hard but you do have your other children to comfort you.’
My mother nodded and sniffled onto the back of her hand.
Mrs Bos had no children of her own. At ten years of age I was puzzled that any married couple could remain childless. My mother and I watched Mrs Bos, retreating up the street, click-clack on her stilettos, a string shopping bag bulging at her side.
‘Poor Mrs Bos’, my mother said, wiping her nose again on her hand, ‘she can never have children of her own.’
My mother offered no explanation and I was left bewildered about this sad Dutch woman who lived at the top of our street, barren and empty, unable to add, divide or even subtract.
My favourite number is two, preferably double two. Two hundred and twenty two is not so good because it is an uneven number of twos and two thousand two hundred and twenty two is too much altogether.
My analyst once suggested to me when I reported my love of the number two, that I chose this number because it is the number of coupledom, mother and baby, just the two of us. It’s an interesting observation. I had thought it might have more to do with the shape of the number, very much like the letter ‘s’ and also that the first house whose address I was able to learn as a child was that of 2 Wentworth Avenue where we then lived.
My address became a vital part of my internal world. I would explore its details regularly and roll the words over my tongue: Number 2 Wentworth Avenue Canterbury, East 7, Melbourne, Victoria Australia, the Pacific Ocean, the world, the universe.
Similarly I played with the multiple dimensions of time, the time of the day, the time of the day in relation to the time of my birth, the hours I had lived, the hours I might continue to live. But I was never good at sums. I failed mental arithmetic in grade six, much to my teacher, Mother Mary John’s expressed horror,
'I knew you were bad, but not that bad.' So I did not linger long over numbers except visually.
Numbers developed personalities in my mind and I had my favourites. I hated the numbers seven and nine and could only just tolerate the fives.
I loved the letter ‘s’, smooth, round and to my mind shiny. It was also the letter that distinguished my first name Elisabeth from all the other Elizabeth’s I encountered in my life, the ones at school who sported an ugly ‘z’ in the middle of their names. S was definitely the more beautiful and friendly letter, as well it was the first letter of my second name, ES.
I did not go in so much for the harsh letters of ‘H’ and ‘E’ especially in their capitalised forms, though in lower case ‘e’ could pass, ‘e’ for egg. Even now to me ‘e’ looks like an egg. But the letter ‘h’ could not redeem itself so readily, nor ‘f ‘even with the rounded dome of the top of their shape in lower case.
I am back to letters I see. It is easy to slip by numbers. My relationship to numbers was never so good. Numbers always frightened me. Multiplication, addition, subtraction and division.
My parents were always doing it. Adding babies and sometimes losing them. For the first ten years of my life, my mother was either pregnant or carrying a newborn.
‘What a woman,’ people said, ‘nine children.’ I soaked up the compliments as if they were directed at me.
There should have been eleven but two died, the first, my mother’s second daughter at five months, the second her last child, another daughter this time still born. There was a miscarriage as well, between the seventh and the eighth. In the end my mother was left with five sons and four daughters.
Some weeks after the death of her last leven los, my mother stood with me in the front garden of our house in Camberwell talking to a neighbour who was muttering condolences for her recent loss.
‘It must be very hard but you do have your other children to comfort you.’
My mother nodded and sniffled onto the back of her hand.
Mrs Bos had no children of her own. At ten years of age I was puzzled that any married couple could remain childless. My mother and I watched Mrs Bos, retreating up the street, click-clack on her stilettos, a string shopping bag bulging at her side.
‘Poor Mrs Bos’, my mother said, wiping her nose again on her hand, ‘she can never have children of her own.’
My mother offered no explanation and I was left bewildered about this sad Dutch woman who lived at the top of our street, barren and empty, unable to add, divide or even subtract.
Thursday, December 03, 2009
Atonement
All afternoon I couldn’t get the images from the film of Atonement out of my head, the war and the death and the significance of a child’s lie.
The man beside me in the picture theatre belched three times, not once and seemingly not accidentally. I did not like to sit directly beside him but our seats were numbered 12 and 13. When I looked at the tickets as we walked to our seats, I thought we had an unlucky number , but I dismissed it. Besides, as luck would have it, my sister sat in seat 13, I would have had it but moved to fill the gap between myself and this chap in seat 12. I led the way into the theatre with my sister close behind.
I was conscious of this man from the start. He was alone. He sat arms folded over his huge belly. He seemed an unlikely man to see at a film like this - rough looking, but it was dark by the time we arrived and I couldn’t get a close look.
While the credits were rolling I remembered the story a friend once told me about her experience as a small child. She had gone to the movies with several of her siblings who sat in a row in the picture theatre. She was on the end. When the lights went out and the film began a man, a stranger sitting beside her put his hands into her pants and started to masturbate her. She was struck dumb with terror, unable to speak or move.
What would I have done, I wondered? Would I scream, make a fuss? Tell my sister we’re leaving.
I thought what a good thing it was that I was sitting beside this man, and not my sister, that I could manage this ordeal better than she. This might be more traumatic for her.
My sister might be like the little girl I have just described, paralyzed, unable to say no. Not me, I thought. I would put a stop to it.
Or would I? Helen Garner describes it in her book, The First Stone, her own paralysis in the face of sexual assault, unwanted sexual advances, from a masseur in one instance, from another person in authority in the other.
This memory rose out of the film based on Ian McEwan's book Atonement.
Why wouldn’t it, sitting behind that old man in the picture theatre? He was not old. He was more or less my age, but in my little girl’s mind he was a ‘dirty old man’, given the belching burping noises he made, seemingly oblivious to them. I didn’t even sense him wince by way of apology.
What was an man like him doing in a movie like this? He may have appreciated it. When the end of the film arrived with my sister sniffling beside me and the names of celebrities and workers running down the screen and the beautiful background music fanning the sadness, this man could not wait to get out of the theatre.
And Briony Tallis’s words from Atonement ring in my ears still.
‘How can a novelist achieve atonement when, with her absolute power of deciding outcomes, she is also God? There is no one, no entity or higher form that she can appeal to, or be reconciled with, or that can forgive her. There is nothing outside her. In her imagination she has set the limits and the terms. No atonement for God, or novelists, even if they atheists. It was always an impossible task, and that was precisely the point. The attempt was all.’ (371)
The man beside me in the picture theatre belched three times, not once and seemingly not accidentally. I did not like to sit directly beside him but our seats were numbered 12 and 13. When I looked at the tickets as we walked to our seats, I thought we had an unlucky number , but I dismissed it. Besides, as luck would have it, my sister sat in seat 13, I would have had it but moved to fill the gap between myself and this chap in seat 12. I led the way into the theatre with my sister close behind.
I was conscious of this man from the start. He was alone. He sat arms folded over his huge belly. He seemed an unlikely man to see at a film like this - rough looking, but it was dark by the time we arrived and I couldn’t get a close look.
While the credits were rolling I remembered the story a friend once told me about her experience as a small child. She had gone to the movies with several of her siblings who sat in a row in the picture theatre. She was on the end. When the lights went out and the film began a man, a stranger sitting beside her put his hands into her pants and started to masturbate her. She was struck dumb with terror, unable to speak or move.
What would I have done, I wondered? Would I scream, make a fuss? Tell my sister we’re leaving.
I thought what a good thing it was that I was sitting beside this man, and not my sister, that I could manage this ordeal better than she. This might be more traumatic for her.
My sister might be like the little girl I have just described, paralyzed, unable to say no. Not me, I thought. I would put a stop to it.
Or would I? Helen Garner describes it in her book, The First Stone, her own paralysis in the face of sexual assault, unwanted sexual advances, from a masseur in one instance, from another person in authority in the other.
This memory rose out of the film based on Ian McEwan's book Atonement.
Why wouldn’t it, sitting behind that old man in the picture theatre? He was not old. He was more or less my age, but in my little girl’s mind he was a ‘dirty old man’, given the belching burping noises he made, seemingly oblivious to them. I didn’t even sense him wince by way of apology.
What was an man like him doing in a movie like this? He may have appreciated it. When the end of the film arrived with my sister sniffling beside me and the names of celebrities and workers running down the screen and the beautiful background music fanning the sadness, this man could not wait to get out of the theatre.
And Briony Tallis’s words from Atonement ring in my ears still.
‘How can a novelist achieve atonement when, with her absolute power of deciding outcomes, she is also God? There is no one, no entity or higher form that she can appeal to, or be reconciled with, or that can forgive her. There is nothing outside her. In her imagination she has set the limits and the terms. No atonement for God, or novelists, even if they atheists. It was always an impossible task, and that was precisely the point. The attempt was all.’ (371)
Saturday, November 28, 2009
Where have all the nooks and crannies gone?
It’s a relief to get to today, after last night’s party. Fifty or sixty fifteen and sixteen year olds celebrating a joint birthday for my youngest daughter and one of her girlfriends. As it turned out they were all well behaved. No one drank too much, though they seemed to drink quite a bit, only one girl crying in the bathroom and that towards the end of the night and something to do with her feeling snubbed by a boyfriend rather than through too much to drink. For all my anxiety.
I have been so anxious of late. It comes across in waves. I can usually locate its source: last night the party, at other times anything to do with my professional association, but it seems to wash over me more frequently these days. I worry incessantly about the dog’s well being. I long for a front screen door to reduce the possibility that someone might inadvertently leave the front door open and the dog will take off down the street, onto the road and under a car. I worry still that he might be able to scale the fence. He has not done it yet, so it is unlikely he can, but still I worry. I worry I worry I worry.
The backyard is a mess, empty drink cans, bottles, caps, shards of broken glass and cigarette butts everywhere. Although I had set up the rubbish bin strategically in one corner of the garden, it seems no one paid it attention. They dropped their cans as they stood. A few of my daughter’s friends have stayed overnight. She and they can tidy up later. I shall resist the temptation myself. For once, acknowledging that it’s not my mess and that it will be good for the girls, for my daughter and her visitors, to take responsibility for the aftermath of their party.
In two weeks time and one weekend I will be traveling to the Blue Mountains for a week of writing at Varuna, self funded. I did not apply for a mentorship, I simply decided that I needed time to do nothing but write. It does not happen here and even though I am a master at distracting myself, it is the demands of others that make it worse, not just my work and family but the other little things that crop up daily.
I also have to stop blogging as obsessively as I have been for the last few weeks. It takes up too much time and too much head space. I get into these conversations and tap away response after response. I scroll down and read other people’s blogs and other people’s comments. I love it. Such companionship, however virtual, but it takes away the nooks and crannies of time I would otherwise have used for research and reading, for emails.
Lately everything I write and everything that I read over that I have written in the past seems stale, like dry bread. Inedible. I am not happy with this. I do not feel able to engage with new ideas.
Perhaps it is the solipsistic nature of my preoccupation with all things autobiographical that leads me to this impasse. Occasionally on my blog I hear from the odd person who is critical of my interest in autobiography.
In academia there are many people who like to study autobiography from a theoretical perspective, the Sidonie Smiths and Julia Watsons of the literary world, but few of these people embark upon their own autobiographical writing, instead they examine the memoirs of others.
It seems a safer bet, I suspect. The theorists can analyse and think through ideas. They can question the memoirist’s perspectives and motives, they can challenge the level of truthfulness and otherwise, consider the extent to which the writer may have abided by or broken Paul John Eakin’s rules for life writing. They might even offer a personal reflection on their own experience of reading this other person’s personal account of their journey, but they do not offer their own journey, their own story, their travels or thoughts about their own lives. They leave that to us the autobiographers.
All of this makes it sound as though I have written a memoir. I have, but it remains unfinished? I use bits of it from time to time as a way of reinforcing my essays, the ones I write on theoretical aspects related to autobiography, to theories on life writing, the nature of shame and trauma, to the thorny old divide between fact and fiction, but I do not seek to complete this work. I am unhappy with it. I wrote it when I started again to write in my late thirties and it is clumsy in places. It does not sing to me.
I need to do more research, but for now I prefer to write and read other people's blogs.
I have been so anxious of late. It comes across in waves. I can usually locate its source: last night the party, at other times anything to do with my professional association, but it seems to wash over me more frequently these days. I worry incessantly about the dog’s well being. I long for a front screen door to reduce the possibility that someone might inadvertently leave the front door open and the dog will take off down the street, onto the road and under a car. I worry still that he might be able to scale the fence. He has not done it yet, so it is unlikely he can, but still I worry. I worry I worry I worry.
The backyard is a mess, empty drink cans, bottles, caps, shards of broken glass and cigarette butts everywhere. Although I had set up the rubbish bin strategically in one corner of the garden, it seems no one paid it attention. They dropped their cans as they stood. A few of my daughter’s friends have stayed overnight. She and they can tidy up later. I shall resist the temptation myself. For once, acknowledging that it’s not my mess and that it will be good for the girls, for my daughter and her visitors, to take responsibility for the aftermath of their party.
In two weeks time and one weekend I will be traveling to the Blue Mountains for a week of writing at Varuna, self funded. I did not apply for a mentorship, I simply decided that I needed time to do nothing but write. It does not happen here and even though I am a master at distracting myself, it is the demands of others that make it worse, not just my work and family but the other little things that crop up daily.
I also have to stop blogging as obsessively as I have been for the last few weeks. It takes up too much time and too much head space. I get into these conversations and tap away response after response. I scroll down and read other people’s blogs and other people’s comments. I love it. Such companionship, however virtual, but it takes away the nooks and crannies of time I would otherwise have used for research and reading, for emails.
Lately everything I write and everything that I read over that I have written in the past seems stale, like dry bread. Inedible. I am not happy with this. I do not feel able to engage with new ideas.
Perhaps it is the solipsistic nature of my preoccupation with all things autobiographical that leads me to this impasse. Occasionally on my blog I hear from the odd person who is critical of my interest in autobiography.
In academia there are many people who like to study autobiography from a theoretical perspective, the Sidonie Smiths and Julia Watsons of the literary world, but few of these people embark upon their own autobiographical writing, instead they examine the memoirs of others.
It seems a safer bet, I suspect. The theorists can analyse and think through ideas. They can question the memoirist’s perspectives and motives, they can challenge the level of truthfulness and otherwise, consider the extent to which the writer may have abided by or broken Paul John Eakin’s rules for life writing. They might even offer a personal reflection on their own experience of reading this other person’s personal account of their journey, but they do not offer their own journey, their own story, their travels or thoughts about their own lives. They leave that to us the autobiographers.
All of this makes it sound as though I have written a memoir. I have, but it remains unfinished? I use bits of it from time to time as a way of reinforcing my essays, the ones I write on theoretical aspects related to autobiography, to theories on life writing, the nature of shame and trauma, to the thorny old divide between fact and fiction, but I do not seek to complete this work. I am unhappy with it. I wrote it when I started again to write in my late thirties and it is clumsy in places. It does not sing to me.
I need to do more research, but for now I prefer to write and read other people's blogs.
Saturday, November 21, 2009
A question on autobiographical poetry
It seems I have developed a reputation as an autobiographer and theorist of autobiography, whatever that means.
As a consequence, an academic has asked me a question to which I do not know the answer. Perhaps you out there, my fellow bloggers and poets, will know more than me and I can pass on the information to the good person who is conducting research on the issue.
She asks the question:
What's the best introduction to autobiographical poetry?
Again does such a thing exist? I can only think of poets who write autobiographically and that pretty well covers all of you, but maybe some are more obvious about it.
As a consequence, an academic has asked me a question to which I do not know the answer. Perhaps you out there, my fellow bloggers and poets, will know more than me and I can pass on the information to the good person who is conducting research on the issue.
She asks the question:
What's the best introduction to autobiographical poetry?
Again does such a thing exist? I can only think of poets who write autobiographically and that pretty well covers all of you, but maybe some are more obvious about it.
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